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Back to topA Twenty Minute Silence Followed by Applause (Paperback)
July 2017 Indie Next List
“Shawn Wen's A Twenty Minute Silence Followed by Applause is a loving tribute to a most untranslatable figure: Marcel Marceau, the mime who defined his art for the 20th century. A connoisseur of silence who could out-talk Studs Terkel, Marceau presented contradictions that can make him hard to grasp, but these nimble essays rise to the task beautifully. You don't need to know anything about miming, or Marceau, to appreciate Wen's lyrical and innovative take on biography.”
— Travis Smith, Flyleaf Books, Chapel Hill, NC
Description
An Indie Next Pick for July 2017
"7 Best Books of July," Men's Journal
"10 Titles to Pick Up Now," O, The Oprah Magazine
"Most Anticipated Books of 2017," The Millions
"A unique, poetic critical appreciation of Marcel Marceau.... A fascinating book.... Readers will marvel not only at Marceau, but at the book itself, which displays such command of the material and such perfect pitch." --Kirkus Reviews, starred review
As a fledgling radio producer, Shawn Wen became fascinated by the one subject who seemed impossible to put on air: French mime Marcel Marceau, the internationally acclaimed "artist of silence." At the height of his fame, Marceau was synonymous with Bip, the red-lipped, white-faced mute in a sailor suit who conjured scenes, stories, and sweeping emotion through the gestures of his body alone. Influenced by Charlie Chaplin's Little Tramp, credited with inspiring Michael Jackson's Moonwalk, Marceau attempted in his performances to "reveal the fundamental essences of humanity."
Beyond Bip, Marceau was a Jewish Holocaust survivor and member of the French resistance; a bombastic iconoclast; a collector of failed marriages, masks, antique knives and doting fans; an impassioned workaholic who performed into his eighties and died deeply in debt soon after leaving the stage. In precise, jewel-like scenes and vignettes, A Twenty Minute Silence Followed by Applause pays homage to the singular genius of a mostly-forgotten art form. Drawing on interviews, archival research, and meticulously observed performances, Wen translates the gestural language of mime into a lyric written portrait by turns whimsical, melancholic, and haunting.
Shawn Wen is a writer, radio producer, and multimedia artist. Her writing has appeared in The New Inquiry, The Seneca Review, The Iowa Review, The White Review, and the anthology City by City: Dispatches from the American Metropolis (Faber and Faber, 2015). Her radio work has been broadcast on This American Life, Freakonomics Radio, and Marketplace. She is the recipient of numerous fellowships, including the Ford Foundation Professional Journalism Training Fellowship and the Royce Fellowship.
About the Author
Shawn Wen is a writer, radio producer, and multimedia artist. Her writing has appeared in The New Inquiry, Seneca Review, Iowa Review, White Review, and the anthology City by City: Dispatches from the American Metropolis (Faber and Faber, 2015). Her radio work broadcasts regularly on This American Life, Freakonomics Radio, and Marketplace. Her video work has screened at the Museum of Modern Art, the Camden International Film Festival, and the Carpenter Center at Harvard University. She holds a BA from Brown University and is the recipient of numerous fellowships, including the Ford Foundation Professional Journalism Training Fellowship and the Royce Fellowship. Wen was born in Beijing, raised in the suburbs of Atlanta, GA, and currently resides in San Francisco.