Description

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A modern-day King Lear, a novel of greed, resentment, jealousy, betrayal, and romance set in Trinidad, Jamaica, and Barbados.

“King Lear in the Caribbean—except in this novel, the flattery and deceit of Glynis (Goneril) and Rebecca (Regan) lose out to the principled, honest love of their younger sister, Corinne (Cordelia).” —O, the Oprah Magazine, 10 Titles to Pick Up Now



An epic tale of family betrayal and manipulation couched in superbly engaging prose and peopled with deftly drawn characters. In a story structure as rhythmic as the ebb and flow of the water surrounding Trinidad and Barbados, this revisiting of the classic story of King Lear becomes a subtle, organic exploration of politics, class, race, and privilege. A dazzling, epic triumph. —Kirkus Reviews, Starred Review

Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will ?nd an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped “That future strife / May be prevented now.” But Lear made the fatal mistake of confusing ?attery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land. In the meantime, he gives his two older daughters their portions, ironically setting in motion the very strife he hoped to prevent.



Beautifully written in elegant prose, this is a novel about greed, resentment, jealousy, betrayal, and romantic love in the postcolonial world of the Caribbean, giving us a diverse cast of characters of African, Indian, Chinese, Syrian/Lebanese, and English ancestry.

About the Author

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ELIZABETH NUNEZ immigrated to the US from Trinidad after high school. She is the author of ten novels and the coeditor of the anthology Blue Latitudes: Caribbean Women Writers at Home and Abroad. Nunez received her PhD in English from New York University and is a Distinguished Professor at Hunter College, where she teaches creative writing. Nunez is cofounder of the National Black Writers Conference and was executive producer for the 2004 Emmy-nominated CUNY TV series, Black Writers in America. Her awards include the 2013 National Council for Research on Women Outstanding Trailblazer Award, the 2013 Caribbean American Distinguished Writer Award, the 2012 Trinidad and Tobago Lifetime Literary Award, and more. Nunez’s works have been nominated for numerous awards, including the PEN Oakland/Josephine Miles Award, the 2012 NAACP Image Award for Outstanding Literary Fiction, an International Dublin Literary Award, the Trinidad and Tobago One Book, One Community selection, New York Times Book Review Editors’ Choice, Novel of the Year for Black Issues Book Review, an American Book Award, the Independent Publishers Book Award, and several others. Her titles have also received starred reviews from Publishers Weekly, Booklist, and Library Journal. Her novels Anna In-Between, Even in Paradise, Boundaries, Prospero’s Daughter, Grace, Discretion, and her memoir Not for Everyday Use are published by Akashic Books, as is her latest novel, Now Lila Knows.

Praise For…

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[Narrator] Émile remarks on parallels to King Lear repeatedly, but there is much more to unpack here. The issue of racism is woven throughout, as are regional problems such as access to Barbados’s beaches and poverty in Jamaica’s Tivoli Gardens. This is also a celebration of the arts, culture, and natural beauty of the islands. Shakespeare’s work is a tragedy, but for Émile ‘the future shimmers before [him] full of wondrous possibilities.’ Nunez treats her source material with a deft touch, making this story impressive in its own right.

— Publishers Weekly

Novelist Nunez, who tackled The Tempest in her 2006 novel, Prospero’s Daughter, here offers a retelling of King Lear. Both novels feature a cast of multicultural characters and a Caribbean setting.

— Library Journal, Never More Relevant: 50 Books for February, Black History Month, and Beyond

Nunez’s textured and engaging novel explores familial discord, along with questions of kinship and self-identity. . . . With a nod to King Lear, Nunez crafts an introspective tale as her vividly drawn characters navigate complications of heritage, race, and loyalty.

— Booklist

Even if you’re not familiar with King Lear, William Shakespeare’s great tragedy, you will still enjoy Even in Paradise by Elizabeth Nunez . . . The author’s drama heads to a new place: the Caribbean. We meet Peter Ducksworth, a widower of English ancestry, who retires to beatific Barbados . . . Ducksworth’s plan to divide his land evenly among his three daughters goes horribly awry when he cuts off his youngest. Having been deceived by the older two, he sees his dreams of a heaven on earth turn hellish. Nunez inspires with this one.

— Essence Magazine

Nunez has written a Caribbean reimagining of King Lear that adds colonialism and racism to the story of three sisters, the men they love and their battle over the deed to their father’s beloved property. Themes of greed, jealousy and resentment play out after their father confuses flattery with love and disowns his favorite daughter.




— Ms. Magazine